The lasting impact of Hong Kong’s new ink movement

The New Ink Movement profoundly influenced later generations of Hong Kong artists, especially those born after World War II. An example of this legacy is Kurt Chan (b. 1959), who graduated from the Fine Arts Department of the Chinese University of Hong Kong and later taught there together with Liu Guosong in the 1980s. Chan has made significant contributions to the development of contemporary art in Hong Kong. As a teacher, he has trained generations of artists, including a group of painters who emerged in the early 2000s, such as Lam Tung Peng (born in 1978) who participated in “Inheritance and Creation”, The exhibition consists of two parts,
In 2010, the Hong Kong Museum of Art organized the “Ink Art vs Ink Art” and “Art vs Art” exhibitions for the Shanghai World Expo, with works ranging from calligraphy to moving images, placing the legacy of New Ink within the context of the expanding field of contemporary art. .

Chen is highly regarded for his poetic mixed media installations that incorporate objects from everyday life that invite different interpretations. Recently, he has integrated calligraphy training into painting, exploring the intersection of Chinese character semantics and aesthetics. Unlike traditional Chinese painters who often refer to their practice as “painting,” Chen sees calligraphy as a form of painting in its own right. Semantic words such as “electricity” and “pulse” are deconstructed into individual stroke elements in the influential acrylic paintings on canvas, blending the visual language of European and American abstraction and pop art.

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